I will love to borrow your BSG boxes, but maybe I should make it a Post-Film History-exam thing? Funny you say that about House, that’s the same reason why I love Dr. Cox(Beautifully portrayed by John C. McGinley), though he act like a total bastard, he is really carrying about J.D, and he really cares about his patients.

Oh! I didn’t know that Ridley “You can’t mention his name without inserting Blade Runner here” Scott produced Numb3rs, then I’ll have to see it then Btw have you seen Total Recall 2070?, info: http://en.wikipedia.org/wiki/Total_Recall_2070 , you can see it for free on Joost, it’s a mix between “Do Androids Dream Of Electric Sheep?” and “We Can Remember It for You Wholesale”.

And of course you can borrow my BSG boxes. Apart from BSG, there are only two series I’m really interested in at the moment: House, M.D. and Numbers, both crime shows to varying degrees. The reasons I love House so much are Hugh Laurie’s excellently portrayed sarcastic-as-fuck egomaniac doctor, and not least the fact that it is effectively a crime show with the crimes replaced by diseases. Numbers is good for being really different and intellectual and produced by Ridley “You can’t mention his name without inserting Blade Runner here” Scott.

You could write an analysis of the core gameplay in Gears of War. Why does it feel so kinetic? What sort of visual and audio cues and physics and camera tricks have they employed to make the player FEEL that he’s part of the action? Epic have used all sorts of tricks with eg. the blood effects and animations to make sure every hit is clear and visually rewarding.

Similarly, they’ve employed all sorts of crazy camera effects to enhance the action, most notably the low roaming chase cam when you sprint. These are all effects that are mildly difficult to notice unless you really sit down and look closely for them, and you know our teachers would cream themselves if you started analyzing camera work in games. “OMG FINALLY SOMETHING I’M QUALIFIED FOR!”